Arts and Culture
In Memoriam: Former Supreme Mary Wilson Leaves Legacy of Black Pride and Resilience
Gordy expressed his sadness over Wilson’s death. “The Supremes were always known as the ‘sweethearts of Motown,’” Gordy said. “Wilson, along with Diana Ross and Florence Ballard, came to Motown in the early 1960s. After an unprecedented string of No. 1 hits, television and nightclub bookings, they opened doors for themselves, the other Motown acts, and many, many others.”
Mary Wilson, a co-founder of the best-selling girl group the Supremes, died in her sleep early Tuesday at her home in Las Vegas, Nev. She was 76.
A singer, best-selling author, motivational speaker, businesswoman, former U.S. Cultural Ambassador, mother, and grandmother, the legendary Wilson made great strides on her inevitable journey to greatness.
As an original/founding member of The Supremes, she changed the face of popular music to become a trendsetter who broke down social, racial, and gender barriers, which all started with the wild success of their first No. 1 song in 1963.
With her childhood friend Florence Ballard and lead singer Diana Ross, the Supremes achieved an unprecedented 12 No.1 hits in the mid-1960s and became international superstars by 1964 on the Motown record label, started just a few years before by Berry Gordy.
Gordy expressed his sadness over Wilson’s death. “The Supremes were always known as the ‘sweethearts of Motown,’” Gordy said. “Wilson, along with Diana Ross and Florence Ballard, came to Motown in the early 1960s. After an unprecedented string of No. 1 hits, television and nightclub bookings, they opened doors for themselves, the other Motown acts, and many, many others.”
Born in Greenville, Miss., on March 6, 1944, Wilson moved North with her family ending up in Detroit, Wis., where Berry Gordy’s Motown record label was just warming up.
She was a school friend of Ballard, who invited her to audition for the Primettes, a sister group to a boys’ trio called the Primes.
Wilson was accepted and she and Ballard would be joined by Diana Ross and Betty McGlown. By 1962, they were a trio and their first hit – “When the Lovelight Starts Shining Through His Eyes” — came the following year.
“Where Did Our Love Go?” became their first song to reach No. 1 on the pop charts and a string of hits followed making them international superstars by 1964.
With the Supremes, Wilson achieved an unprecedented 12 No.1 hits, with five of them consecutive from 1964-65. Those songs are “Where Did Our Love Go,” “Baby Love”, “Come See About Me,” “Stop! In the Name of Love,” and “Back in My Arms Again,” according to Billboard Magazine.
But all was not well. In 1967, Gordy decided to change their name to Diana Ross and the Supremes and Ballard decided to leave the group. Many years later, Wilson would express her disappointment and stick up for her friend, lobbying for a U.S. postage stamp with Ballard’s image.
“People forget that Florence Ballard not only gave us our name, but she formed the group,” Wilson revealed on “Fiyah!” a program sponsored by the Black Press of America.
“It was really Flo who formed us, and I want people to know that. I am putting together a program to get Florence Ballard a U.S. stamp, hopefully, so I want people to send their request and say something about Florence” Wilson said of her friend who died of a heart attack in 1976. “All those hits were Florence, so when you are listening to [The Supremes], it’s about Flo, so I want people who listen to those songs that bring back memories, think about Flo.”
Ballard was replaced by Cindy Birdsong and the group continued to perform until 1970 when Ross would leave the group for a solo career in 1970. The group continued to have hits like “Stoned Love” in 1970.
By the mid-1970s, Wilson was doing half of the Supremes’ lead vocals but she left the group in 1977.
Nearly a decade later, Wilson found success in writing her memoirs: “Dreamgirl: My Life as a Supreme,” in 1986 and “Supreme Faith: Someday We’ll Be Together” in 1990.
She became a frequent guest on TV talk shows and performed regularly in Las Vegas casinos and resorts.
Colin Powell named her a cross-cultural ambassador in 2002 and she appeared at events sponsored by the State Dept.
Wilson released CDs in 2006 and 2010, while also becoming a musical activist, going to court to prevent impostors from performing under the names of groups from the 1950s and ‘60s, including the Motown group the Marvelettes as well as the Supremes. The law was passed in 27 states.
She lectured all over the world giving advice on reaching goals and triumphing over adversity and became known for her charity work with the American Cancers Society, St. Jude’s Children’s Research Hospital and the NAACP among others, including the Figure Skaters of Harlem, which encourages youth gain entry to the Olympics.
In 2019, Wilson appeared in a “Dancing With the Stars” segment and published “Supreme Glamour,” an appreciation of the fashion the Supremes wore on stage. A collection of the gowns has been on exhibit at the Rock & Roll Hall of Fame in Cleveland, Ohio, since 2008.
With the Supremes, Wilson was inducted into the National Rhythm and Blues Hall of Fame in 2013 and received a lifetime Achievement Award from the National Newspaper Publishers Association in 2020.
Wilson married Pedro Ferrer in 1974 and the couple had three children: Turkessa, Pedro Antonio and Rafael. She and Ferrer divorced in 1981. In 1994, Rafael was killed in a car accident.
“Ms. Wilson used her fame and flair to promote a diversity of humanitarian efforts, including ending hunger, raising HIV/AIDS awareness, and encouraging world peace. Mary was working on getting a U.S. postage stamp of her fellow bandmate and original Supreme Florence Ballard who passed away in 1976,” longtime publicist and friend Jay Schwartz said.
She was working on new projects for 2021, including an album she recently teased on her YouTube channel. Her primary love was preserving the legacy of the Supremes and introducing her music to new generations.
“I think that The Supremes had a lot to do with the awakening of the world in terms of what blackness was,” Wilson said in her 2020 NNPA interview. “The whole world was watching Black people in a way they’d never seen.”
Wikipedia, Stacy Brown/NNPA contributed to this report.
Arts and Culture
Kedrick Armstrong: New Music Director for the Oakland Symphony
The Oakland Symphony Announced Kedrick Armstrong as its Next Music Director. In addition to conducting the orchestra’s public concerts, Armstrong will also actively participate in the Oakland Symphony’s many education and community engagement programs, designed to inspire a love of music in people of all ages.
By Post Staff
The Oakland Symphony Announced Kedrick Armstrong as its Next Music Director.
In addition to conducting the orchestra’s public concerts, Armstrong will also actively participate in the Oakland Symphony’s many education and community engagement programs, designed to inspire a love of music in people of all ages.
Armstrong is the successor to previous music director and Conductor Michael Morgan, who passed away in 2021 after a 30-year tenure at the Symphony.
Armstrong will open the Oakland Symphony 2024-2025 season on October 18.
Armstrong, who is 29 and hails from Georgetown, South Carolina, is currently the creative partner and principal conductor of the Knox-Galesburg Symphony.
The Chicago Tribune has praised Armstrong for his ability to “simply let the score speak for itself.” He enjoys a wide range of repertoire, spanning early music to premiering new works, using his joy and curiosity for all music to cultivate understanding and collaboration within diverse communities.
“I am deeply honored and grateful for the opportunity to serve as the new music director of the Oakland Symphony,” Armstrong said. “As a Black conductor, I find it humbling to stand on the shoulders of both Michael Morgan and Calvin Simmons,” the most recent and the first African American music directors of the Symphony, respectively.
Armstrong led three programs at the Symphony between 2022 and early 2024, which showcased his broad knowledge of the classical repertoire and enthusiasm for spotlighting diverse voices.
On his Oakland Symphony subscription debut on Feb. 16, Armstrong led the world premiere of “Here I Stand: Paul Robeson,” an oratorio by Carlos Simon on a libretto by Dan Harder, commissioned by the Oakland Symphony.
Armstrong was selected unanimously by the Oakland Symphony’s board of directors and musicians after an extensive two-year search. “The search committee was overwhelmed by Kedrick’s scholarship and curiosity about all kinds of music, from classical and jazz to gospel and hip-hop,” said. Dr. Mieko Hatano, executive director of the Oakland Symphony. “We are thrilled to have him join us at the Oakland Symphony.”
Arts and Culture
Faces Around the Bay Dr. Carl Blake, Pianist
Born in Liberty, Missouri, Carl Blake, a virtuoso and respected pianist, made his most recent migration to the East Bay in 1999. One might have seen him performing recently at Noontime Concerts in San Francisco, or at the Piedmont Center for the Arts in Oakland. He is Director of Music at The Church for the Fellowship of All Peoples in San Francisco. He was also co-organizer and collaborative pianist at Herbst Theater for The Majesty of the Spirituals concert in 2022 and has held several church positions in the Bay Area.
By Barbara Fluhrer
Born in Liberty, Missouri, Carl Blake, a virtuoso and respected pianist, made his most recent migration to the East Bay in 1999.
One might have seen him performing recently at Noontime Concerts in San Francisco, or at the Piedmont Center for the Arts in Oakland. He is Director of Music at The Church for the Fellowship of All Peoples in San Francisco. He was also co-organizer and collaborative pianist at Herbst Theater for The Majesty of the Spirituals concert in 2022 and has held several church positions in the Bay Area.
Blake obtained a Bachelor of Music from Boston University and continued post-baccalaureate studies in Jamaica before earning a Master of Arts in Music at San Jose State University. He was the recipient of two Fulbright residencies in Honduras and completed a third residency at the University of St. Petersburg in Russia. He has a Doctor of Musical Arts from Cornell University.
At age 19, Blake, then an undergraduate piano major at Boston University, was “discovered” by Impresario Dr. W. Hazaiah Williams, who is the Founder and Director of Today’s Artists/Four Seasons Arts.
Williams honored Blake by awarding him the first Marian Anderson Young Artist Award. Anderson personally presented the award at the Masonic Auditorium in S.F. Subsequently, Blake was presented by Dr. Williams in his San Francisco debut at The Herbst Theatre. Williams subsidized a year of study abroad for Blake at the Paris Conservatory of Music. Additionally, Williams sponsored Blake’s New York Weill Hall debut, where he has performed twice since. Blake performed several times at the Yachats Music Festival in Oregon.
Blake continues to perform nationally and abroad. His hobbies are reading, baking and travel. He says, “I’m still pumping ivories, as Belgian pianist Jeanne Stark described the disciplined practice of concert piano.”
Arts and Culture
Oakland Jazz Great Offers Master Class as City Declares “John Handy Day”
World-renowned jazz master saxophonist John Handy, a McClymond’s High School graduate, was presented with a Mayor of Oakland Proclamation declaring Feb. 12, as John Handy Day in the city. Handy is most notably known as the featured saxophonist for Charles Mingus on “Goodbye Pork Pie Hat” from the album “Mingus Ah Um” (1959) and on “Hard Work” from his own album “Hard Work” (1976).
By Conway Jones
World-renowned jazz master saxophonist John Handy, a McClymond’s High School graduate, was presented with a Mayor of Oakland Proclamation declaring Feb. 12, as John Handy Day in the city.
Handy is most notably known as the featured saxophonist for Charles Mingus on “Goodbye Pork Pie Hat” from the album “Mingus Ah Um” (1959) and on “Hard Work” from his own album “Hard Work” (1976).
“John Handy is a jazz icon and an inspiration to musicians everywhere,” said Ayo Brame, a 16-year-old Oakland tenor saxophone player who is enrolled at the Oakland School for the Arts.
In celebration of this day, the reception in downtown Oakland at Geoffrey’s Inner Circle was a gathering of artists, young and old, coming together in his honor and celebrating his 91st birthday.
Handy presented a Saxophone Colossus free masterclass for musicians. This class afforded a rare opportunity to learn about the saxophone from an aficionado. The class was free and open to all – saxophonists, vocalists, aficionados, students, and casual listeners.
“As a longtime friend for over 60 years, and fellow musician who has had numerous opportunities to share the stage with John, it has always been a pleasure performing with him and hearing his creative interpretations of the music and his gift of ease inspiring the next generation of jazz musicians,” said Roger Glenn, a multi-instrumentalist.
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